Beyond Time: A Journey Back to Prehistory Part 2

lascaux_horse

Horse at Lascaux, Dordogne (replica) Wikimedia Commons

Giant deer at Lascaux, Dordogne (replica) Wikimedia Commons

Giant deer at Lascaux, Dordogne (replica) Wikimedia Commons

Last week, I started a journey back in time to look at some of the many prehistoric relics left in this region by our ancestors. This week, we’re dropping in on the artists who used cave walls as their canvas 30,000 years ago, and then travelling even further back to meet their predecessors, Neanderthal hominids. A recent local discovery may transform our thinking about them.

Cave paintings at Pech Merle, Lot

Hand in the Grotte de Pech Merle, Lot. Wikimedia Commons

Hand in the Grotte du Pech Merle, Lot. Wikimedia Commons

 

A frisson travelled up my spine when I gazed at this image of a hand, outlined with ochre paint. This was almost like a self portrait, which the artist had communicated across thousands of years.

The cave paintings at the Grotte du Pech Merle in the Célé Valley of the Lot are not so well known as those of Lascaux in the Dordogne (top), but you can still see the originals, unlike the Lascaux replicas. Access is restricted to avoid damage to the paintings.

Spotted horses from the Grotte de Pech Merle (replica in Brno Museum). Wikimedia Commons

Spotted horses from the Grotte du Pech Merle (replica in Brno Museum). Wikimedia Commons

The most famous images at Pech Merle are the hand and the bizarre spotted horses, which research has found did exist then. The artist used a natural outcrop of rock for the head of the horse on the right. There are numerous other paintings of the animals found there at the time – woolly mammoths, reindeer, aurochs and bison – and a few humans, as well as other hands.

An explosion in cave art took place between 30,000 and 12,000 years ago. The Célé Valley, a busy hunting route, was one of its centres. Ten other caves with paintings exist in the area, but only Pech Merle is open to the public.

When cave paintings were first discovered, they were thought to be forgeries, too sophisticated for primitive humans to have produced. Carbon dating knocked that on the head.

However, as with many prehistoric remains, nobody really knows what they were for. The traditional view was that the artists painted the animals they hunted, but others believe they had a spiritual function. Some experts argue that the paintings were the work of shamans who “fixed” on the cave walls what they underwent in states of altered consciousness. This also reinforced their standing in prehistoric society.

Whatever the paintings’ function, the creative skills of the artists speak to us across the millennia. They may not have had writing, but they knew how to reproduce what they saw. They had a grasp of abstract art, too.

You can take a virtual tour and book online here, but nothing compares with the reality.

Neanderthal structures at Bruniquel

The conventional view of Neanderthal man as primitive, brutish and lacking in awareness is being overturned. The race died out around 40,000 years ago and the last known colony was in Spain.

Were Neanderthals victims of genocidal slaughter by the bigger-brained homo sapiens? Not necessarily, since there’s evidence that they lived alongside each other for several thousand years, and may even have interbred. Did they die out because of some genetic mutation or declining fertility? Or were they simply marginalised because homo sapiens outdid them in hunting and life skills?

We may never know, but recent discoveries show that Neanderthals had a more sophisticated social organisation than was once believed. They may have buried their dead and had religious beliefs. There’s also a debate about whether they were capable of producing both realistic and abstract art. The latter is evidence of a more heightened awareness.

Last year, a discovery deep in a cave at Bruniquel, Tarn-et-Garonne, moved forward the debate about Neanderthals’ capabilities. Two circular structures were found, composed of broken stalagmites, in which the fragments had been classified by size and wedged to maintain the structure.

Did the circles have a spiritual or an artistic purpose, or both? No obvious practical function comes to mind. They do show, though, that the people who made them had mastered the challenges of working underground, co-operated to create the circles and had a planned design and a purpose in mind. This goes well beyond the view of Neanderthals simply eking out a hand-to-mouth existence.

What is even more surprising is the date of these circles. Modern dating shows that they are around 176,000 years old, and thus predate by a long way the first appearance of homo sapiens in Europe, around 45,000 years ago.

Prehistoric life was tough, but our ancestors managed to have a spiritual life and produce wonderful art forms. I wonder if they had a sense of posterity or any inkling that people would see their work thousands of years later. The Pech Merle hands suggest that they might have done.

You might also like:

Beyond Time: A Journey Back to Prehistory Part 1
Truffles Tomorrow
Deserted French Village

Copyright © 2017 Life on La Lune, all rights reserved

 

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About nessafrance

My husband and I moved to an 18th-century farmhouse in SW France in 1997. I am fascinated by French history, rural traditions and customs and enjoy seeking out the reality behind the myths. I run my own copywriting business and write short stories and the occasional novel in my spare time. My husband appears here as the SF, which stands for Statistics Freak, owing to his penchant for recording numbers about everything.
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10 Responses to Beyond Time: A Journey Back to Prehistory Part 2

  1. Sartenada says:

    Fantastic post, which I enjoyed very much. Thank You.

    Liked by 1 person

  2. Osyth says:

    My husband met his ex-wife in Wookiee Hole which may explain my recent aversion to caves (I jest) but the lure of the cave paintings more than overwhelms any need to stay out of a grotte …. your piece is extremely interesting and reminds me that I have yet to visit Lascaux nor Pêche Merle which feels almost criminal

    Liked by 1 person

    • nessafrance says:

      Ha, ha! Yes, I can see that might be off-putting…I haven’t visited Lascaux, either. It’s a pity they have had to make replicas of the paintings there, but it was imperative to preserve them from damage.

      Liked by 1 person

  3. Not long after we moved here i went on an overnight ‘vacances scholaire’ helping out a teacher friend. We visited a cave at bruniquel which involved a scramble down a steep hillside. Being intensely claustrophobic i hung around at the entrance but the children loved it. Thank goodness for virtual tours as pech merle looks so fabulous!

    Liked by 1 person

    • nessafrance says:

      I sympathise. I also suffer from claustrophobia and so my visit to Pech Merle was not comfortable. But perhaps I am not as seriously afflicted as you, so I could cope with it. How people do potholing for fun, I can’t imagine. Unfortunately, the virtual Pech Merle tour doesn’t show everything, but it’s better than nothing.

      Liked by 1 person

  4. Beth Lamb says:

    at the chateau at Bruniquel, when we last visited, there was a very interesting video, with English subtitles, of the discovery of the Neanderthal circles. Worth watching.

    Liked by 1 person

  5. MELewis says:

    Interesting post. The Pech Merle hand may be seen as the first selfie. Maybe we are too critical of our current generation’s desire to prove that ‘I was here’. 😉

    Liked by 1 person

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